Tanja Jeramaz Presents a New Anthem to Confidence, "Boy Tears"

Article by Chadha Nacer

Tanja Jeramaz blows us away with her brand new single “Boy Tears” - a pop track with a refreshingly true feminist take in lyrics and the portrayal of women’s perspective in music.

Jeramaz’s clean and solid vocals complement the synth-based instrumental, all with the goal of hitting the listener’s ear with the perfect mix of ambiance and rhythm. Upon the first few seconds, the listener is greeted with an expanding synth that works to amplify and lead us into Jeramaz’s vocals. Her voice is commanding and delivered with conviction, only building upon the confident energy that is pervaded into the track. Supported by her backing vocals, they work to elevate every verse they’re in by supporting and blending with the synths of the background.

In a world of music where women are often being put down or the butt of the joke, even at times by women, Jeramaz takes a stand by focusing the attention on the subject of her song and calling him out for his mistreatment of her. The lyrics are truthful and ruthless, allowing Jeramaz to express herself and tell this anecdote without sacrificing accessibility. Jeramaz takes back all the power and places herself above the situation, making the song all the more satisfying to listen to in parallel with your own boy problems in life. The music video is a perfect visual parallel to the song. Jeramaz herself is framed stunningly in a bed in the middle of the desert as the video begins, and as it progresses we get continuous shots of the story of the song unfolding. As the daylight wanes in the video, gorgeous colorful lighting is introduced, creating visual contrast that keeps hold of attention along the way.

Throughout both the song and the video, the emotion continuously ramps up keeping viewers and listeners unintentionally at the edge of their seats. If you need a song that is both an anthem to confidence or a track to pull you out of a recent breakup, Jeramaz delivers your wish on a silver platter.